Outstanding Achievement in Sound Mixing for a Motion Picture – Documentary The critics consensus reads "Blessed with the Bee Gees' discography and director Frank Marshall's concise thesis, How Can You Mend a Broken Heart is a poignant documentary that persuasively argues the trio's importance in music history." Accolades Year Among the reviews, it determined an average rating of 7.7/10. The review aggregator website Rotten Tomatoes surveyed 52 critics and assessed 50 as positive and 2 as negative for a 96% rating. The film was released worldwide on HBO Max on December 12, 2020, in association with Polygram Entertainment. The film is directed by Emmy nominated director Frank Marshall, and written by Mark Monroe, with Barry Gibb participating for interviews with HBO for the documentary. It includes interviews with Barry, alongside other musicians and individuals including Justin Timberlake, Noel Gallagher, Nick Jonas, Chris Martin, Eric Clapton, Mark Ronson, Lulu, Vince Melouney, Alan Kendall, Bill Oakes, Andy Gibb and Yvonne Gibb. The film follows the life and career of brothers Maurice, Robin and Barry Gibb, The Bee Gees. It received positive reviews and has been nominated for six Emmy Awards, including the Emmy Award for Outstanding Documentary or Nonfiction Special. The film had its worldwide release on Decemthrough HBO Max. It follows the life and career of legendary, award-winning family band The Bee Gees. Adds Sinclair: “We deal with other things that were challenges and some humiliating things that happened to them, but their experience there didn’t move their creativity forwards.The Bee Gees: How Can You Mend A Broken Heart is an American documentary film, directed by Frank Marshall. “There was no reason to put it in,” Marshall says. Pepper’s Lonely Hearts Club Band - starring the Bee Gees, Peter Frampton, and Steve Martin - isn’t mentioned at all in the documentary.
However, the fiasco of the 1978 film Sgt. And we would like to exist in the Eighties - does anybody mind if we exist in the Eighties? Thank you.” (In 1988, the band casually summed up their hatred of “Stayin’ Alive” to Rolling Stone: “We’d like to dress it up in a white suit and gold chains … and set it on fire.”)
“I don’t think there’s any reason to chalk us up because we existed in the Seventies. “Let’s all grow up, we’re just a pop group,” Barry urges in an archival interview. The film also delves into unpleasant moments in their career, from Robin getting booed offstage after his first solo show in 1970 to the backlash they faced following Disco Demolition Night in Chicago’s Comiskey Park nine years later. “He was so enthusiastic about them and their musical gifts.” “It was so fun to talk to him, I forgot we were doing the interview,” Marshall laughs.
Eric Clapton doesn’t give interviews, so that was amazing.” Justin Timberlake also appears, praising the band to such extreme measures that he promises the cameramen he’s not high. However famous people are, there’s all sorts of reasons why they don’t want to be interviewed. “Of all the projects that we’ve worked on, it was the one where everybody you asked would say yes. “We could have done a whole film just on Noel Gallagher’s interview,” Sinclair says. “When you’ve got brothers singing, it’s like an instrument that nobody else can buy,” Gallagher says. They breakdown the joys of making music with family members, and the brutal tensions that comes with it. Marshall also interviewed members of brother bands, including Oasis’ Noel Gallagher and Nick Jonas of the Jonas Brothers. “Talking to the family was really important.” “When we talked to Yvonne Gibb, she remembered that they had some eight-millimeter footage that was in a shoebox under a bed somewhere,” Marshall explains. Much of the footage was supplied by the Gibb family, who gave Marshall complete creative independence. It features rare footage and new interviews with Barry Gibb from his home in Miami, as well as interviews with his late brothers Robin and Maurice. The Bee Gees: How Can You Mend a Broken Heart, out December 12th on HBO, aims to tell the band’s whole saga from start to finish. “He said, ‘If you guys will do that, I’ll give you everything.’” “We said we wanted to reintroduce him to his audience, because time has passed,” Sinclair tells Rolling Stone.
So when director Frank Marshall and producer Nigel Sinclair approached Barry Gibb for a documentary, the last living Bee Gee asked what they had in mind. The Bee Gees created music for nearly five decades, but their legacy is often reduced to a brief period in the late Seventies when they became the most famous disco band on the planet thanks to the Saturday Night Fever soundtrack.
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